In book three in the Dark Peak series, things are looking up for Detective Sanne Jensen and Dr. Meg Fielding. Dating each other seems to be working, their families are behaving themselves, and the worst of the post-Christmas crime wave is over. 

The discovery of a Pakistani girl’s body out on the moors changes all that. No one knows who she is, who hurt her, or how she came to be there. As pressure mounts on East Derbyshire Special Ops for a quick resolution, it becomes ever more apparent that the case won’t provide one.  

With the Pakistani community closing ranks, and threads of suspicion reaching farther than anyone could have predicted, the investigation leaves Sanne facing an ordeal she may not survive.

New York, 1952. From the shadowy docks of Athens, Greece, to the elegance of a Fifth Avenue penthouse, to the neon glare of Coney Island, art smuggler Cantor Gold must track down an ancient artifact, elude thugs and killers, protect a beautiful woman who caters to Cantor’s deepest desires, and confront the honky-tonk past which formed her. Memories, murder, passion, and the terrible longing for her stolen love tangle in Cantor’s soul, threatening to tear her apart.

Book Three of the Cantor Gold Crime Series

Alissa Reeves came out for Hannah Desarno. Hannah is smart, beautiful, and has just gone missing. Worse, she isn’t Alissa’s first girlfriend to disappear. Eighteen months ago, Alissa was caught kissing bad girl Lana Meyers. Too scared to admit her feelings for Lana, Alissa let her friends blame Lana. Weeks later when Lana disappeared, no one in their small town thought much of it until months later when her body was found.

With Hannah gone, Alissa finds herself following clues that will help her discover what happened to both girls, and the truth will change everything.

The city of New Orleans was rocked to its very shaky foundations when the body of six-year-old beauty queen Delilah Metoyer was found, strangled, in the carriage house behind her family’s Garden District mansion. The crime was never solved, and the Metoyer family shattered in the aftermath of the crime. Thirty years later, Delilah’s brother asks Scotty to finally find his sister’s killer…putting Scotty and his friends and family into the crosshairs of a vicious killer.

A Scotty Bradley Mystery

Can a detective and a policeman find love amidst murder? Heath Barrington is an attractive, clever, big city detective, confident, strong, and crazy about police officer Alan Keyes. Down-to-earth, noble, and naïve, Alan struggles with his desires for Heath versus 1940s America and his guilty conscience. 

Heath’s skills of deduction and reasoning are put to the test as he and Alan work together to solve the murder of an eccentric millionaire in his mysterious, isolated estate. They search for clues and uncover long buried secrets of the weekend guests while keeping secrets of their own. 

It’s up to Heath to solve the mystery and convince Alan that some secrets aren’t worth keeping, and lust can lead to love.

Three stories by three talented crime writers—Carsen Taite, Ali Vali, and Michelle Grubb—each packing her own special brand of heat.

In Hammersmith by Michelle Grubb: Officer Belinda Riley knew the signs of a suicide bomber, but this time she was blind to the obvious. This time she didn’t want to believe what was right in front of her eyes.

In Bow and Arrow by Carsen Taite: Bounty hunter Luca Bennett has always lived on the edge of the law, but now she’s living with a cop and doing her darnedest to stay out of trouble. When an old enemy resurfaces, will the shady ways of Luca’s past come back to haunt her? 

In Hell Fire by Ali Vali: Dr. Abigail Eaton stumbles into a massacre, but once someone tries to kill her it seems like no accident. While hunting for the perpetrators of a sex trafficking empire, Agent Riley Abbott saves Abigail from a professional hit and discovers the young mother might be the key to more than just her case. Riley takes Abigail and her family to what she thinks is safer ground, and runs right into the arms of reputed mob boss Cain Casey.

Murder is a seductive story that keeps Detective Jill Rogers hypnotized and soothes her road-hungry feet. Money and murder—the world’s most fascinating subjects. Jill quit romance when she left Sophie Walsh, the love of her life, starved and hurting. Love is for sunny, squishy people, and Jill is dark. 

 A few things Jill knows for sure: the more violent the crime, the closer the relationship is between victim and murderer. Murder investigation is a two-piece puzzle. One piece is the crime scene and it forms half the picture; the other is the witnesses and suspects. Ideally, the two halves come together and form a complete whole and the case is solved. If they don’t, either Jill made a mistake or someone is lying. And she doesn’t make mistakes.

Jake Finnigan is already having the worst day of his life when the corpse of notorious tabloid reporter Susan Crane is found locked in the trunk of her car on the ferry where he works. Worse still, though Crane is bound, gagged, and shot in the forehead, her death is ruled a suicide. Convinced of a cover-up, Jake finds himself entangled in the investigation, much to the annoyance of his partner of nearly a decade, Sam O’Conner. As Jake and Sam uncover more about the woman’s blackmailing schemes, the list of suspects grows, and the couple find themselves skidding unavoidably into the killer’s crosshairs. 

Winter in the Derbyshire Peaks: months of knee-deep snow, short days, and rocketing crime rates.

Detective Sanne Jensen is living in self-imposed isolation and quietly falling apart, while Dr. Meg FieldingSanne's best friend and occasional loveris struggling to cope with her violent brother, who is back in town and demanding money that she doesn't have.

When the murder of a drug addict is dumped onto Sanne's already unmanageable caseload, she suspects the death may be the start of something more sinister. But how can she investigate a crime when no one cares about the victim? And how can she stop a killer who has no identity, no motive, and no conscience?

Jil knew her foster mother, Elise, was sick. So why does her death seem so sudden? Unable to shake the feeling that there's more to this story, Jil begins unearthing secrets. Her quest leads her down unexpected paths teeming with uncomfortable questions about the woman she thought she knew. Why does Elise have stolen art in her home? And where did she get the substantial amount of money she's left Jil in her will? Jil and her lover, Jess, are used to confiding everything, but Jil just can't let Jess into this part of her life. As she gets closer to learning the truth about Elise's past, Jil collides with memories of her own past she thought she'd let go. Did she ever know Elise at all? Can she get a grip on what she's discovered before her silence drives Jess away forever?

New York City, 1950. Cantor Gold, art smuggler and dapper dyke-about-town, hunts for a missing masterpiece she's risked her life to bring through the port of New York. She must outsmart the Law that wants to jail her; outrun the dockside gangsters who would let her take the fall for murder; and outplay a shady art dealer, his lover, and a beautiful curator who toys with Cantor's passion. Through it all, Cantor must stay out of the gunsights of a killer who's knocking off rivals for the missing masterpiece—and stay alive to solve the mystery of her stolen love: Sophie de la Luna y Sol.

Montana rancher Becky Miles (who decidedly drops the Becky part) is drawn into the snake pit of internalized homophobia when she travels to Vermont to find out if her gal, Jane Scott, still loves her. Jane's life is enmeshed by old guilt and compassion for Georgia, whose horse training business is tarnished by a tragic death in her barn. Miles has little patience for Georgia, a closeted lesbian who is desperate to pass among the upper crust of the horse show world. Neither Jane nor Miles has any idea, at first, just how desperate Georgia is to pass in the straight world.