OMG Queer

Hope. Fear. Desire. Despair. Promises. Betrayals.

Lesbian. Gay. Bisexual. Transgender. Questioning. Intersex.

This anthology of short stories gives voice to the rising generation as they define what it means to grow up queer in the twenty-first century. What is it like to grow up in a society that embraces you in certain ways but discriminates against you in others? How do you choose a label from the alphabet soup, and should you even have to? By turns heartwarming and heartbreaking, comical and caustic, these stories, imagined and told by youth across America, provide a snapshot of queerness at the dawn of the new millennium.

Seventeen-year-old Ella Gatz is alone when the thief enters her father’s mansion on Halloween night. Ella fights the intruder but fails to stop the theft of Her Heart, her mother’s favorite painting. Ella mourns the loss of the only remaining piece of the mother she lost, and when her father, CEO of a security firm, refuses to report the crime for fear of the humiliation he will face at having his security system fail in his own home, Ella determines to hunt down the culprit and reclaim Her Heart.

The only hint to who the thief may be is a long, pink-and-blond hair. Finding her thief will become Ella’s first move in a dangerous game of wits that exposes family secrets and could lead to her family’s financial ruin.

Ashly Harris has a secret she’s been keeping all her life.

To everyone else she’s just a seventeen-year-old party girl and problem senior at Hackley High School. She has always felt alone, and not just because she’s biracial and openly bisexual. Ashly sees faeries all around her, all the time. She has learned to hide her Sight, but that doesn’t change the fact that she is constantly taking the blame for the havoc that the faeries wreak. The only person who knows about Ashly’s ability is her eccentric, yet level-headed best friend, Caris, who might be playing along while also playing with Ashly’s feelings.

As Ashly speeds toward graduation with few future prospects on the horizon, she must protect the classmates she claims to hate from an evil that no one else sees.

"This is an accessible story with an interesting premise: The fantasy metaphor for Ashly’s adolescent alienation and despair works well and livens up the plot, especially when a revelation draws Ashly into the throes of a faerie war as well as a rewarding queer romance. A relatable fantasy weaving in real-life issues." –Kirkus Reviews, 08/15/2023

Evelyne, born into nobility, and Annika, a peasant girl with a deadly secret, struggle to change their destinies in Valmora, a medieval world controlled by religion, magic, and men.

If only she’d been born a boy, Evelyne could fight with her brothers and fulfill her dreams of glory. Instead, her father has arranged her marriage. Annika knows she’s different. She has gifts the Valmorans call talents, and she’s waited too long to turn herself over to the Temple for training. If she tells anyone now, she will burn as a heretic.

Their blossoming love changes everything.

Both are forced to confront who they are when saving an innocent life exposes Annika’s talent and she’s held prisoner by the unforgiving Temple Paladin. Saving Annika will cost Evelyne all she’s ever known, but her sacrifice may lead them on a path to love and a destiny that will change Valmora forever.

Olly Smith-Nakamura had it all until an unexpected financial setback forces her dads to leave their idyllic life in San Francisco behind in search of a fresh start. Relocating to a small West Virginia town where families like hers are considered an anomaly was not how she planned to spend her senior year of high school. Her grandmother tries to sell her on the merits of her new home, but she just sees more reasons to leave than to stay.

No one knows Ariel Hall has a secret. No one except the BFF who broke her heart. Sharing her truth isn’t on her agenda because unless she’s throwing strikes on the softball field, she prefers to fly under the radar. Olly Smith-Nakamura is everything she’s not: out, proud, and in your face. They don’t get along at all. So why does kissing her seem like more fun than butting heads?

PRAISE FOR THE FRENEMY ZONE

"A fun, thoughtful small-town tale of teen romance and family connection...A coming-of-age story with a rich cast of interesting characters." —Kirkus Reviews 

"As an openly lesbian wrestler with one Black and one Japanese American father, [Olly] contends with casual racism and homophobia in the mostly white, conservative town. Her goal is to survive until graduation and move on without attachments; that is, until she meets white-cued Ariel Hall, the mayor’s closeted lesbian daughter...Emphatic writing by Wallace capably builds tension; the characters’ intensely felt hopes and fears, and their struggles navigating interpersonal and external obstacles, make for a pensive read." —Publishers Weekly

In this queer YA retelling of Shakespeare’s Julius Caesar, stakes at Augustus Magnet School are cutthroat, scheming is creative, and loyalty is ever-changing.

Overnight, Bronwyn St. James goes from junior class queen to daughter of an imprisoned felon, and she lands in the care of her aunt and younger cousin Cass, a competitive cheerleader who Bronwyn barely knows. Life gets worse when her ex-best friend, the always-cool Jude Cuthbert, ostracizes Bronwyn from the queer social elite for dating a boy, Porter Kendrick.

Bronwyn and Jude are both running for student body president, and that means war. But after Bronwyn, Porter, and Cass share a video of Jude in a compromising position, Jude suddenly goes missing. No one has seen her for weeks and it might be all Bronwyn’s fault. Will Jude ever be found? Or will Bronwyn finally have to reckon with what she’s won—and what she’s lost?

Content Advisory: Depictions of sexual assault.

"The Shakespearean backdrop for this ultramodern tale of American politics and cutting-edge sexual and gender identities takes a while to pick up, but once it gets going, the cliffhangers and unstoppable pace make it hard to put down. An intense ride of bisexuality and back-stabbing."—Kirkus Reviews, 01/15/2022