Audiobooks

Life in Amsterdam isn't all windmills and tulips when you're homeless. Jason Dekker lives in a jeep with his dog, Calvin, on the outskirts of the city. A thesis on Van Gogh brought him to the Netherlands, and the love of Dutch artist Willy Hart convinced him to stay. But Willy is gone and Dekker is on the brink of a total meltdown. On a summer morning in the park, Calvin sniffs out the victim of a grisly murder. Dekker sees the opportunity for a risky strategy that might solve their problems. Unfortunately, it puts them directly in the sights of the calculating stone-cold killer, Gadget. Their paths are destined to collide, but nothing goes according to plan when they end up together in an attic sex-dungeon. Identities shift and events careen out of control, much to the bewilderment of one ever-watchful canine. Oscar Wilde wrote that each man kills the thing he loves. He didn't mean it literally. Or did he?

A simple blackmail case goes south when Chanse finds the murdered body of his muscleboy client in what appears to be a hate crime. But neither Chanse nor the police are convinced it was a hate crime, despite the frenzy being whipped up in the city by a charismatic but attention-seeking gay rights activist. The trail leads to a call boy ring, blackmail of wealthy Uptown closet cases, and it's not long before Chanse's investigation has put not only his life at risk, but that of everyone he cares about!

The first Chanse Macleod mystery.

London 1889. For Ira Adler, former rent-boy and present plaything of crime lord Cain Goddard, stealing back the statue from Goddard's blackmailer should have been a doddle. But inside the statue is evidence that could put Goddard away for a long time under the sodomy laws, and everyone's after it, including Ira's bitter ex, Dr. Timothy Lazarus. No sooner does Ira have the porcelain dog in his hot little hands, than he loses it to a nimble-fingered prostitute. As Ira's search for the dog drags him back to the mean East End streets where he grew up, he discovers secrets about his own past, and about Goddard's present business dealings, which make him question everything he thought he knew. An old friend turns up dead, and an old enemy proves himself a friend. Goddard is pressing Ira for a commitment, but every new discovery casts doubt on whether Ira can, in good conscience, remain with him. In the end, Ira must choose between his hard-won life of luxury and standing against a grievous wrong.