|
INTERVIEW WITH Ali Vali
February Newsletter 2006
By
Connie Ward, BSB Publicist/Author Liaison
What made you
decide to become a fiction writer?
I was
sitting on a beach reading the third of the Harry Potter books that
my partner had given me for Christmas several years ago and started
wondering, not if I could duplicate the writing, but if I could write
something more than five pages long. On the way home I thought some
more about it, and I started not long after. Now, the more I write
the more I enjoy it.
What type of
stories do you write and why?
I write romances
mostly because I’m a hopeless romantic at heart. Sappy I know, but
true. One of the things I’ve enjoyed writing over the years, long
before the characters that fill my stories started to fill my head
with ideas, were love letters. I write love letters, send flowers,
and enjoy showing my partner how much I love her as often as I can. I
was lucky that I found a girl who inspired that in me and still
does—she just loves sappy. It’s just that now the love letters are
about three hundred plus pages and revolve around a storyline. They
can’t take my butch card away from me for admitting that, right?
What does/do your
family/friends think about your writing?
They’re amazed
more often than not, but proud. Of course you have to know my
parents. I could dig ditches for a living and they’d be proud of me,
but the stories and how well they’ve been received have just kicked
that up a notch. That makes me feel incredibly lucky to have that
unwavering support.
My partner reads
as I write and edits for me as I go along, so that’s where the
“amazed” factor comes in. She just looks at me sometimes and just
shakes her head before asking, “Why haven’t you been doing this
longer?” That question is way better than the usual, “What were you
thinking?”
Where do you get
your ideas?
I’m a huge fanatic
when it comes to my lawn. Some would call it borderline obsessive, I
call it meticulous, and don’t worry, I do have a point in this. Most
Saturdays you can find me walking behind a Toro cutting grass, and it
not only makes my yard look great but it’s a great time to work
through storylines. That’s one of the places I get ideas; the other
comes on the seat of my bike.
I pedal
around every morning and basically ride myself out of writing ruts
sometimes. The fact I’m focused on talking to myself during the rides
in the mornings is the reason I think I got this nerdy reflector vest
as one of my Christmas gifts this year. My partner is afraid I’ll be
hit by a car, and I joke with her that it’s in her best interest that
I don’t since—who would cut the grass?
How do you write?
Do you plan everything out or just write?
I just write
mostly. My editors are most probably cringing, but I just write. The
only thing I do write out ahead of time, since I find it the hardest
thing in putting a story together, is a list of characters. Naming
characters is an important part of the story since from the time you
start until you go through the editing process to the final product,
you spend lots of time with them.
Working
with Shelley Thrasher on The Devil Inside made me see the
importance of writing out a time line as well. I learned a lot from
her, Stacia, and Rad during the editing process, which I’ll carry
over in my future works. But mostly you’ll find me with a cup of
coffee, hot chocolate, or beer, depending on my mood, and a pen and
paper. When I say I write, I really do write the stories. It’s seldom
that I can type and move the storyline along at the same time. If
you’re wondering, yes, I can walk and chew gum at the same time.
What makes The Devil Inside special to you?
Devil
was a two-year labor of fun. I hate to sound like my
head won’t fit through the door, but I absolutely love these
characters. Years ago I had the privilege of meeting one of
New Orleans’
“connected” guys. Not that I admire mobsters, but Jimmy was, I have
to admit, one of my favorite people. Not for the life he led but for
his ability to weave a story. I love a good storyteller since I
aspire to be just that—a good weaver of tales. As a writer I think
it’s an important part of the mix.
We’d have dinner
about once a month and he would tell me stories over a bowl of pasta.
He was definitely a big Casanova, so our dinners were fun for him as
well because he wasn’t doing any wooing, just a night of friendly
conversation with a willing listener.
Jimmy died nine
years ago, and I still miss him and his unending stream of stories.
When I thought of Derby Cain Casey, I went the exact opposite of him
in that Cain was more settled in her ways, but she was smooth,
confident, and smart. Those would be the three words that pop into my
head when I picture him. As I wrote Devil, it was special
because I got to think about a dear friend I lost and the time we
spent together. My greatest hope is that he’d have been happy to see
I learned a little storytelling from the master.
How much of
yourself and the people you know are in your characters?
This is a great
question. Every character I write has a little quirk of mine, some of
my partner’s, and some of our friends’. I love coffee; the color
white, especially in crisp, starched shirts; and I love to laugh.
Sound familiar?
A lot of
my secondary characters, which are as important to me as the main
characters, are based marginally on our friends. You all have to
remember we live in New Orleans, smack dab in the middle of the
South. Eccentricity is a requirement here.
Which lesbian
authors inspired you most?
Radclyffe,
Karin Kallmaker and Jennifer Fulton. Each of them has a different
writing style, but they all make you believe in strong, independent,
and sexy women who know how to love. Asking me to pick a favorite,
though, is like asking me to pick a favorite chocolate—it can’t be
done. There hasn’t been anything that they’ve written that I don’t
like so it’s hard to pick a favorite.
Do you have any
suggestions for new writers?
My main suggestion
is to write what you love. Find your niche as it were and work hard
to improve your craft. When you feel you’re ready to share your work,
the most important thing is to find people who will treat you with
respect and honor your words. I found that with the folks at Bold
Strokes Books, and I’m extremely lucky for that.
When you’re not
writing, what do you do for fun?
I’m a rabid LSU
fan, so I love watching my Tigers play. A Saturday night in heaven is
spending it in Tiger stadium or Death Valley as we affectionately
call it, screaming my head off. I love spending time with my
girlfriend doing whatever. And I like foraging Magazine Street in New
Orleans looking for antique bookends. I collect bookends and
umbrellas.
Don’t
laugh; I have a great collection of umbrellas from all over the
world. They’re great reminders of trips we’ve taken, and they’re
useful when it rains.
Which is your favorite among the books/stories you've written and
why?
Each story is
special to me, but Carly’s Sound will forever be one of my
favorites. Ten years ago my partner was diagnosed with cancer. My
family is going through that right now with my mom, and it’s hard to
see someone you love suffer.
When I helped my
partner through it, though, I have to admit to being scared out of my
mind. I tired to always be strong for her, but there were times when
I cursed the heavens for putting her through the misery of the
chemotherapy and other treatments.
About five years
after she was cured, we were at a concert, and I looked at her having
a great time dancing to Billy Joel’s music. Right then, the story
came to me in one neatly wrapped package. It shocked me that when I
sat down and wrote it, it only took about three weeks from beginning
to end to complete the first draft.
We sat outside on
a chaise lounge one Saturday after I finished with the yard, and I
read it to her. She laughed and she cried along with me through the
parts I still can’t read without crying, and then she smacked me for
killing her. In a nutshell that story was mostly about a woman I
loved and lost to cancer, and the woman I ended up once she finished
the treatments. Cancer is a life-changing experience no matter who
you are and how strong you think are. The one thing it did for us was
to learn to live the hell out of life, and I mean every single moment
of it. Not that we didn’t before, but now we know that nothing about
our days are guaranteed, so please don’t ever waste a single one.
So while
Carly was born out of that painful experience, all my stories I hope
have those strong women who love fiercely and live with just as much
gusto. |